Inside The Score - Super Mario All-Stars - Title Theme

A saloon of memories

The foundational myths of the Mario series ought to be explored next. Throughout these next few days we will take a look at some tracks from the three games that cemented the worldbuilding of the series as the wacky Mushroom Kingdom comes to life on the 16-bit SNES. More colorful and with new sounds, we will try to compare and contrast the original NES tracks with their Super Nintendo counterparts to see how composer Soyo Oka, entrusted with the project under the supervision of original composer Koji Kondo, arranges the classic set of pieces. Coming right after her work on Super Mario Kart, Soyo also composed some original tracks to complement the worlds.

The game is still the standard bar for remakes that go beyond the call of duty by providing not only four but sometimes five absolute classic games for the prize of one; a bargain indeed of those seldom coming from Nintendo. The original games also received a considerable makeover in both visuals and sound for the 16-bit era, something we will never see again due to the difficulty of updating an entire series and the diminishing returns of new graphics. That being said, they pretty much used Super Mario World as a template for them all to just follow. Now, going from 8-bit chiptunes to the new era not only requires simple rearrangements but to actually select for the first time the proper orchestration for these classic themes, meaning we will get closer to their intended genre which was difficult to convey with the limited timber of electronic waves.

This also marks The Lost Levels‘ first release outside Japan; it was not released on the NES in Western territories because Nintendo deemed it too difficult at the time (they were right). The result is the convoluted story of Super Mario Bros. 2.

Music Analysis

This one is the literal opening of the curtain where the essence of Mario had to be captured, a catchy yet nostalgic tune that reminds players of the adventures they probably had. Curiously, with the honky tonk piano (an upright piano which has some detuned strings due to use and poor maintenance) and the playing style, the track would feel more at home in Super Mario Bros. 2, the Mario game that was not originally a Mario game and whose convoluted story we should explore someday. In any case, even though that game had an Arabic theme, the music was very ragtime and fairground based, as if it could be played by a calliope or an organ. It gave that game a vaudeville tone of classic early animation. The reason is because the original game, Doki Doki Panic—Doki Doki always means panic—was a promotional effort for an actual fair in Japan. Many classic Mario elements pretty much found their way into the series via a marketing gimmick, like the Shy Guys with their fair masks. On the other hand, Super Mario World also has some saloon music with honky tonk piano. Here the idea is also to convey a sense of a group of old friends reunited at an old time bar, with the sound effects suggesting conversation and a party at a saloon.

So it fits the actual Title Screen of the game since it looks like our characters are at a party in a saloon where someone is at the poorly tended piano. Plus Birdo is here and that Aladdin bird instead of better known characters, making the connection directly to the second entry.

The piece still manages to sound a little cute with a classic Ionian/Major progression, 3/4 time signature and mellow sounds, most which come from Super Mario World. Our characters were probably actually dancing to the tune before the lights went on.

Composer Soyo Oka would leave the company in the mid nineties to pursue freelance projects.

We will continue to archive some music here. This one is a deconstruction with the actual samples that were originally used. If you have any insights or memories about the tracks please share since they help for the full musical analysis. More essays to come. And as an introduction to Mario and its music you can read some of the posts here dealing with composer Koji Kondo influences, the history of Mario as a character and his iconic main theme here: https://videogamemusicshrine.com/super-mario-64/